Singin Film The Rain - 889 Words

Singin’ in the Rain Review There are many classic films out there, though only a few help mold future films. Dictionary.com states â€Å"classic† means, â€Å"serving as a standard, model, or guide†. Singin’ in the Rain is a movie that is just that. A classic. It was filmed in 1952 by leading man himself Gene Kelly and Stanley Donen at MGM Studios. Singin’ in the Rain is a spoof film about the years when film companies and actors were making the transition from silent films to â€Å"talkies†. The dynamic acting ability of Gene Kelly and Debbie Reynolds with their great musical numbers and slapstick comedy has made Singin’ in the Rain a movie family’s have enjoyed for years. The music and dancing in this film is incredible. Each song in this film came from a list of songs that MGM owned and were written between 1929 and 1939. Originally some of these songs did not have lyrics to go with the music. Arthur Freed is the man who help ed put words to these songs along with the help of Nacio Herb Brown who wrote the music. Iconic songs such as the one the film is named after â€Å"Singin’ in the Rain†, â€Å"Make ‘em laugh†, and even â€Å"Good Morning† are used in commercials and other films and even used as a satire. Gene Kelly was the choreographer for the film, which meant making up routines to each musical number and dancing to them himself. Singin’ in the Rain has great leading actors who put on an exceptional performance. Gene Kelly plays Don Lockwood, Debbie Reynolds plays Kathy Selden, and DonaldShow MoreRelatedFilm Analysis Of Don Lockwoodssingin In The Rain1380 Words   |  6 Pagesyou’ve seen one, you’ve seen them all,† remarks Kathy Selden about movies after first meeting silent film star Don Lockwood in the beginning of Singin’ in the Rain (Singin’ in the Rain 17:38). While Kathy was slightly off base when saying that all mov ies are the same, movies belonging to the same genre often do share certain conventions which author Bernard F. Dick discusses in his book Anatomy of Film and Tim Dirks confirms in his assessment of the genre for the American Movie Classics Company. WhatRead MoreBilly Wilder s The Rain Vs. Sunset Boulevard Essay957 Words   |  4 PagesSingin’ in the Rain vs. Sunset Boulevard At first glance, Singin’ in the Rain, directed by Gene Kelly and Stanley Donen (1952) and Sunset Boulevard, directed by Billy Wilder (1950) don’t have too much in common. One is a musical comedy about an actor’s transition from silent films to talkies and the other is a film noir drama about an unsuccessful screenwriter’s murder. But upon closer inspection, these movies are about a common problem: the struggles of the film industry when talking pictures tookRead MoreThe Art Of Gene Kelly And Stanley Donen Essay1690 Words   |  7 PagesThe iconic work of Gene Kelly and Stanley Donen, the directors of Singin’ in the Rain, has lasted for over 60 years. Produced by Metro-Goldwyn-Mayer (MGM) and released in April of 1952, Singin’ in the Rain showcases the talents of Gene Kelly, Donald O’Connor, and Debbie Reynolds. This musical motion picture provides a comedic interpretation on the transition that occurred in the 1920s when motion pictu res switched from silent films to talking motion pictures. The transition was hard for numerous actorsRead MoreGenre Analysis Essay1377 Words   |  6 PagesThe musical film has always held a special place for me. From my time as a drama student in high school, my eyes have been opened to the amazing world of the musical and especially the musical film. The musical film is a film genre in which the characters sing songs that are integrated into the overall story. Since musicals first began in theaters, musical films usually contain similar elements. These elements often simulate that there is a live audience watching. In a sense, the film viewers becomeRead MoreAnalysis of Singin in the Rain Essay1112 Words   |  5 PagesReleased in 1951, Singin in the Rain was one of the last films to be produced during the profitable golden age of the studio system. It evokes the typical characteristics of the popular MGM Hollywood musical by relying on superstar names and infectious dance n umbers. However, Singin in the Rain incorporates an additional level of parody into its nostalgic plot that focuses on the disruptive shift from silent movies to talkies. The film showcases classical Hollywood musical numbers supplementedRead MoreSelf Reflexive Aspects of Singing in the Rain Essay2215 Words   |  9 PagesSingin’ in the Rain (MGM, 1952) is an American musical comedy directed by Gene Kelly and Stanley Donen. The film comically emulates the transition from the production of silent movies to ‘talkies’ in Hollywood during the 1920s. The narrative follows a successful silent film star named Don Lockwood (Gene Kelly) and his glamorous blonde on screen partner Lina Lamont as they attempt to adapt The Duelling Cavalier a silent film, into a talking film. However, the shrill sound of Lamont’s voice cast seriousRead MoreThe Classical Hollywood Paradigm in Singin in the Rain987 Words   |  4 Pages Not all films which adhere to the classical Hollywood paradigm eschew issues. The film Singin’ in the Rain follows Don Lockwood, a popular silent film actor, as he attempts to maintain his star status during the advent of â€Å"talkies†. Lockwood’s journey manifests fame’s capricious temperament, the studio’s commercial interest, and the influence of outside variables on a film. Singin’ in the Rain uses Lockwood’s struggle with celebrity to expose the importance of public image and self esteem. Read MoreEssay on Analysis of Kubricks A Clockwork Orange 1455 Words   |  6 PagesStanley Kubricks 1971 film production of the Anthony Burgess novel, A Clockwork Orange, is a truly unforgettable film.   It is narrated by one of the most vicious characters ever put on screen, Alex DeLarge.   The promotional poster for the film advertised it as The adventures of a young man whose principle interests are rape, ultra-violence, and Beethoven (Dirks 1).   Needless to say, music plays a very important role in A Clockwork Orange.   The expressive use of music in this film gives the viewer aRead MoreThe Musical Theatre And Film1607 Words   |  7 PagesGreece. The music and dance were included in stage comedies and tragedies during the 5th century BCE. However, the music is disappeared in these eras for a long time, so that they had no real influence on the development of modern musical theatre and film. There is no serious effect of a musical theatre over the society and politi cal. However, it The Pacific Standard said that Musicals have the Power to Change Minds. Although Broadway musicals are often thought of as lightweight entertainment, manyRead More The Musical Essay1823 Words   |  8 PagesHollywood studios from the early thirties to the early fifties. The conventions of the integrated musical were formed in the Astaire--Rogers musicals made at RKO in the thirties and the form peaked at MGM in the forties and early fifties, most notably in films produced by Arthur Freed. Thomas Schatz has provided a useful definition of the integrated musical. `Rather than create a realistic --or at least plausible --world whose inhabitants find reasonable motives for breaking into song (rehearsals